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Prof Simon Purcell

THEORY & MUSICIANSHIP LESSON VAULT

JAZZ WORKSHOP #86 - HOW TO GET THE MOST FROM YOUR PRACTICE TIME


Combining a career as performer and educator, Simon Purcell was recently appointed International Chair in Improvisation at the Guildhall School of Music in London. Formerly Head of Jazz at Trinity-Laban Conservatoire of Music and Dance from 2005-2017 and member of the Pop and Jazz Steering Group for the Association of European Conservatoires from 2009-2018.


Since the mid-1980s, Simon has performed both as leader and sideman, appearing with, amongst others, Red Rodney, Kenny Wheeler, Eddie Henderson, Stan Sulzman, Jean Toussaint and Julian Arguelles. His current band “Red Circle” features Julian Siegel, Chris Batchelor, Steve Watts and Gene Calderazzo


During the late 1980s and throughout the 1990s, Simon hosted many jam sessions at the London’s Bass Clef Club, supported many American artists such as Bill Frissell, Turk Mauro, Mark Helias, Kenny Barron and Dave Liebman, as well as establishing himself and performing with Red Rodney, Eddie Henderson, Kenny Wheeler etc. He even performed with Peter Ind on three different closing nights, several months apart!


In 1991 Simon appeared on Cleveland Watkiss’s Polydor release Green Chimneys, followed two years later by “Women Have Standards” with Anita Wardell in 1993. However, the busy life as a teacher has meant that most of Simon’s musical projects have never been recorded, notably a quartet with saxophonist Mike Williams, Dave Wickins and Ricardo Dos Santos (1995 – 2000), a trio with Phil Allen and Steve Watts (1987 – 1995), a project with vocalist, Christine Tobin (1991-1995) and his Octet that toured Scotland in 1998. There was never enough time, although Simon is now determined to promote his most recent project with Julian Siegel, Chris Batchelor, Gene Calderazzo and Steve Watts and occasional collaboration with vocalist Liane Carroll.


Obsessively busy, Simon founded Jazz Umbrella in 1993, a London-based jazz collective, promoting gigs at the Vortex Jazz Club and establishing a network of gigs in local communities throughout the city.


Despite his experience as a performer, Simon is best known as an educator. During his teacher-training he was fortunate to be tutored by Janet Ritterman (until recently the principal of the Royal College of Music) at that time, Head of the Music Education Department at Goldsmiths College. A succession of Tuesday afternoon workshops required him to teach songs nonverbally, i.e. without any verbal explanation or notation. This introduction to hemispherical function of the brain, educational psychology and the realisation that lesson planning and evaluation was not only necessary in order to achieve trouble-free lessons but also was a form of creative problem-solving, convinced him of a joint vocation as musician and teacher. Fascinated by how music students learn (and jazz musicians in particular), Simon has continued to draw on his early experiences as a school teacher, over the years accumulating a mass of materials and informal research as a result of reflection, systematic recording, planning and evaluation of lessons, consequently forming a number of templates for diagnosis and interpretation of educational phenomena. Simon’s educational research was published in 2001 (Staff Development through Creative Co-Mentoring Partnerships), 2003 (Musical Patchwork: Teacher Research Within a Conservatoire), and 2005 (Teacher Research Within a Conservatoire – a condensed version of the former, published by Ashgate). His current research interest is “The 4 Ps”, an approach to developing the play state within improvisation through balancing musical product, process and the inner person. More to follow on this site in due course.


Simon has taught and mentored several generations of Britain’s finest jazz musicians. Between 1987 and 2005, he was professor of jazz piano and improvisation at the Guildhall School of Music & Drama and was appointed Head of Jazz at Trinity College of Music in September 2005, meanwhile, co-directing the Glamorgan Jazz Summer School (formerly the Barry Summer School). In between times, he has acted as a consultant to Birmingham Conservatoire, been educational director of the National Jazz Youth Jazz Orchestra of Scotland and in 2006, received the award for Jazz Educationalist of the Year from the Parliamentary Jazz Committee.


Simon Purcell joined the Executive of the National Youth Jazz Orchestra in September 2009, mainly to advise on behalf of the Music Higher Education Sector and to establish the NYJO Musical Policy Committee. In addition, he is a trustee of the Countess of Munster Trust, supporting young musicians in Higher Education. 

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